I Am An American Live II

This unique music, a fusion of ancient Asian traditions and Western harmonies, celebrates the rich cultural heritage of Asian Americans.

A Transatlantic Journey Home

Mimy’s composition traces the history of Afro music as it accompanied its people, who were enslaved and transported to the Caribbean  

Rimbognala: Echoes of Eden

“Rimbognala,” a Malagasy term, translates as “the leftover remnants of the forest.” This title serves as lament etched into the soul of the song and its composer, Mimy.  

Lomalilay: A Melody of Deepest Thanks

“Lomalilay” is a response to the welcome given in the first piece, banaike. The piano takes the spotlight, conveying the heartfelt response of the guests. 

Welcoming Week: Romila

This composition is an ode to an envisioned Romila, a love letter steeped in jazzy melodies and set to the captivating rhythm of Afro-Cuban grooves. 

A Song for My Mother’s Journey

Composed by Mimy in the wake of his mother’s funeral, “Any Ankoatra Any” loosely translated, means “Into the Unknown, On the Other Side.”

Beko: a Memory of Resistance

In the dusty heart of southern Madagascar, the beko is a revered storytelling tradition. The singer, known as a sairy, dedicates his life to mastering this art form.

Banaike: Let the Beat Welcome You

“Banaike” is a style of music where rhythm transforms into ritual and everyone is invited to join in. It is played in the south of Madagascar to begin a party.

Temple Romance – Live on Stage

Temple Romance goes to South Indian classical flute melodies blended with a strong string and chorale harmonies. Bala’s inspiration for this piece is

Magic Gem – Live on Stage

Magic Gem takes a classic Western melody and adapts it to an Eastern classical vibe using the Chinese erhu, played by Jerry Lin. 

Hit the Strings – Live on Stage

Hit the Strings is based on a Middle Eastern musical scale and features the Japanese koto played by Masumi Timson. Many cultural influences flow between  

Harmony of Rhythms – Live

Harmony of Rhythms features young musicians from Portland Kalai Kuzhu playing parai drums, one of the oldest instruments in India but one that,

Agar Bahar Biyayad: Ahmad Fanous

This ghazal is sung by the famous Afghan ghazal singer Ahmad Fanous, accompanied by his son, pianist Elham Fanous, and by Ravi Albright on tabla,  

Az Ghamat ay Nazanin

This ghazal is sung by the famous Afghan ghazal singer Ahmad Fanous, accompanied by his son, pianist Elham Fanous, and by Ravi Albright on tabla,

Chupke Chupke Raat Din

This ghazal is sung by the famous Afghan ghazal singer Ahmad Fanous, accompanied by Ravi Albright on tabla. “Chupke  Chupke Raat Din”