Sanson Ki Mala at The Armory
“Sanson Ki Mala Pe” (साँसों की माला पे) is a rare bhajan penned by Meerabai (15th Century) in honor of her lord Krishna. The opening line translates as:
“Sanson Ki Mala Pe” (साँसों की माला पे) is a rare bhajan penned by Meerabai (15th Century) in honor of her lord Krishna. The opening line translates as:
Perhaps as a kind of invocation, Bala and Shivani chose to play the song Allah Elohim, a piece that now resonates more deeply than ever before.
This original composition, thoughtfully created and arranged by Bala for this occasion, weaves a melody that speaks to the deepest threads of our shared
This beautiful melody comes from the classic Bollywood film Anpadh (1962). Originally sung by the legendary Lata Mangeshkar, the song features music
“Mast Qalandar” is perhaps the most celebrated and widely rendered of all Qawwalis. Reverberating through the annals of South Asian musical heritage,
This unique music, a fusion of ancient Asian traditions and Western harmonies, celebrates the rich cultural heritage of Asian Americans.
Mimy’s composition traces the history of Afro music as it accompanied its people, who were enslaved and transported to the Caribbean
“Rimbognala,” a Malagasy term, translates as “the leftover remnants of the forest.” This title serves as lament etched into the soul of the song and its composer, Mimy.
“Lomalilay” is a response to the welcome given in the first piece, banaike. The piano takes the spotlight, conveying the heartfelt response of the guests.
This composition is an ode to an envisioned Romila, a love letter steeped in jazzy melodies and set to the captivating rhythm of Afro-Cuban grooves.
Composed by Mimy in the wake of his mother’s funeral, “Any Ankoatra Any” loosely translated, means “Into the Unknown, On the Other Side.”
In the dusty heart of southern Madagascar, the beko is a revered storytelling tradition. The singer, known as a sairy, dedicates his life to mastering this art form.
“Banaike” is a style of music where rhythm transforms into ritual and everyone is invited to join in. It is played in the south of Madagascar to begin a party.
Temple Romance goes to South Indian classical flute melodies blended with a strong string and chorale harmonies. Bala’s inspiration for this piece is
Magic Gem takes a classic Western melody and adapts it to an Eastern classical vibe using the Chinese erhu, played by Jerry Lin.