I Am An American Live II
This unique music, a fusion of ancient Asian traditions and Western harmonies, celebrates the rich cultural heritage of Asian Americans.
This unique music, a fusion of ancient Asian traditions and Western harmonies, celebrates the rich cultural heritage of Asian Americans.
Mimy’s composition traces the history of Afro music as it accompanied its people, who were enslaved and transported to the Caribbean
“Rimbognala,” a Malagasy term, translates as “the leftover remnants of the forest.” This title serves as lament etched into the soul of the song and its composer, Mimy.
“Lomalilay” is a response to the welcome given in the first piece, banaike. The piano takes the spotlight, conveying the heartfelt response of the guests.
This composition is an ode to an envisioned Romila, a love letter steeped in jazzy melodies and set to the captivating rhythm of Afro-Cuban grooves.
Composed by Mimy in the wake of his mother’s funeral, “Any Ankoatra Any” loosely translated, means “Into the Unknown, On the Other Side.”
In the dusty heart of southern Madagascar, the beko is a revered storytelling tradition. The singer, known as a sairy, dedicates his life to mastering this art form.
“Banaike” is a style of music where rhythm transforms into ritual and everyone is invited to join in. It is played in the south of Madagascar to begin a party.
Naw Abikaila Ki (Nawbi) started life in a refugee camp in Thailand. As members of the ethnic minority, the Karen, Nawbi’s family has no territory to call their own
Growing up in Vietnam, Thao Nguyen always felt like an outsider. As one of 23,000 mixed-race children left behind by US servicemen,
It took sneaking out of school for a coffee date, countless phone calls, a year of opening just one love letter a day, getting two families to agree